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Detours
Simone Cametti and Appearance
The work could even be a secondary trace. The centre of Simone Cametti’s research seems to me to be located more in a zone preceding the image; it is, in my view, about being able to modify a condition, a place, or a relationship. The term *appointment* comes to mind....
Three Ready – Made
There is a substantial difference, though not a difference of field, between a sculpture obtained by taking an object from reality, moving it away from its context of use in order to place it within a supra-real, symbolic-aesthetic dimension, such as the bottle rack;...
Les demoiselle d’Avignon
The analysis of this painting provides many points of arrival and approaches. Let us return, in thought, to Courbet’s work The Creation of the World. A work that makes the hidden explicit, yet with simplicity and truth. It shows a shift of meaning and dignity, a...
The Plaster Cupid by Cézanne
The levels dance on the canvas and want to pour themselves entirely into the foreground. They have lifted the world up toward us and are about to fall. It almost seems like a sketch, a painterly note. The world moves as if in an earthquake of vision. More evident than...
A Sunday Morning on the Island of La Grande Jatte
A society is born, it has been said, that is defined as fast. Indeed, it is fast, if one considers how much acceleration has occurred in just a few years. Baudelaire’s *The Painter of Modern Life* dates from 1863. It is addressed to Constantin Guys, whose line and...
The Starry Night by Van Gogh
In my view, this painting is a religious work. *A Sunday Afternoon on the Island of La Grande Jatte*, in terms of technique, is not irrelevant here. In Seurat, small touches of color construct reality. Now, in this case, that same reality is guided and permeated by...